{"id":64,"date":"2020-12-28T23:06:42","date_gmt":"2020-12-28T23:06:42","guid":{"rendered":"https:\/\/neilleyton.com\/?page_id=64"},"modified":"2026-10-22T23:40:41","modified_gmt":"2026-10-22T23:40:41","slug":"discography","status":"publish","type":"page","link":"https:\/\/neilleyton.com\/?page_id=64","title":{"rendered":"Discography"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Neil Leyton&#8217;s recorded output started during his high school years, between 4-track demos on Fostex X-26 and Tascam Portastudios to the first studio recordings at Studio 92, engineered by Norm Barker. Leyton credits Barker for his early studio learnings, and also started producing other artists, such as Sharpkid (Canada) and Pete Marquis&#8217; Silky (Portugal), at Studio 92 with Norm Barker as engineer and mixer in the early 90s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Check out the &#8220;Somewhat Complete&#8221; chronological Spotify playlist: <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/playlist\/2T1KdSBfwU8SnnTDec2cqP?si=pn__DcQVRE63bCNgn1k8Zg&amp;nd=1\" target=\"_blank\">https:\/\/open.spotify.com\/playlist\/2T1KdSBfwU8SnnTDec2cqP?si=pn__DcQVRE63bCNgn1k8Zg&amp;nd=1<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Neil Leyton: The Almost Complete Discography!\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/2T1KdSBfwU8SnnTDec2cqP?si=pn__DcQVRE63bCNgn1k8Zg&amp;nd=1&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This Discography includes the studio information precisely because Leyton believes studios to be of primary importance to the recorded output. During his London years, recording digitally on ProTools either at his Camden flat or Enterprise studios (ie. rehearsal rooms, not recording studios) the recordings revealed a decrease in quality in his recorded output that he later regretted in several interviews &#8211; deleting three digitally-recorded albums from streaming services and ceasing to record altogether for a number of years before returning to proper studios for the new Lusitanian Ghosts project. In 2021, Lusitanian Ghosts will release their second album, recorded on analogue tape at Hamburg&#8217;s Clouds Hill Studios.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Of course, studios can&#8217;t be operated without recording engineers, and over the course of my life I have been fortunate to work with many amazing people who have always taken the time and had the patience to answer my curious queries! I want to thank Norm Barker (Studio 91), Nikki Servos (Manta), Nick Holmes (Halla), Micke Borg (Acetone) and the late great Nick Blagona, mastering engineer at Metalworks, for all they taught me over the years.&#8221; &#8211; Neil Leyton.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Here is an attempt at a chronological &#8211; albeit incomplete &#8211; listing of Leyton recordings:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Innocent Sin<\/strong> &#8211; self-titled cassette album, self-released; Recorded at Studio 92, Toronto (1991)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Passion d&#8217;Flower &#8211; Flowers in the Rain <\/strong>cassette album, self-released; Recorded at Studio 92, Toronto (1992)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton<\/strong> &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/studio92\" data-type=\"URL\" data-id=\"lnk.to\/studio92\" target=\"_blank\"><strong>Studio 92<\/strong><\/a><strong> <\/strong>EP, Shame Destroyer re-issue; Recorded at Studio 92, Toronto (Early recordings 1993-1994)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"224\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.52.png?resize=224%2C224&#038;ssl=1\" alt=\"\" class=\"wp-image-153\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.52.png?w=224&amp;ssl=1 224w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.52.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Passion d&#8217;Flower &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/rotuw\" data-type=\"URL\" data-id=\"lnk.to\/rotuw\" target=\"_blank\">Return of the Ugly Warrior<\/a><\/strong> CD, Fading Ways; Recorded at Studio 92, Toronto (recorded 1994, released 1999)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"223\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.17.42.png?resize=221%2C223&#038;ssl=1\" alt=\"\" class=\"wp-image-165\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.17.42.png?w=221&amp;ssl=1 221w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.17.42.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Conscience Pilate &#8211; Never for You<\/strong> 12&#8243; single, Fading Ways Music; Recorded at Studio 92, Toronto (1995)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Conscience Pilate &#8211; Living in a Movie Scene<\/strong> CD, Fading Ways Music; Recorded at Studio 92 (1996)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Conscience Pilate &#8211; Sunday Refugees <\/strong>CD, Guru Records \/ Fading Ways; Recorded at Spike Sound (1997)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &amp; The Conscience Pilate &#8211; Fires of the Heart <\/strong>EP, Fading Ways; Recorded at Studio 92 (1998)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; Down Secret Avenue with the Last Lovers <\/strong>CD; Fading Ways; Recorded at Manta Eastern (1999)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"227\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.21.png?resize=225%2C227&#038;ssl=1\" alt=\"\" class=\"wp-image-154\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.21.png?w=225&amp;ssl=1 225w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.21.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; My New Soul <\/strong>EP CD; Fading Ways \/ RCD Music; Recorded at various studios in Toronto (2000)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; From the Brighter Side of Her Midnight Sun<\/strong>; Fading Ways (Canada) \/ Changes One (UK); Recorded at Halla Music Toronto (2003)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"224\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.08.png?resize=224%2C224&#038;ssl=1\" alt=\"\" class=\"wp-image-155\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.08.png?w=224&amp;ssl=1 224w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.10.08.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Galore &#8211; Parader <\/strong>(Leyton plays guitar); Fading Ways; Recorded at Halla Music and Chemical Sound, Toronto (2003)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"221\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.46.png?resize=221%2C221&#038;ssl=1\" alt=\"\" class=\"wp-image-164\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.46.png?w=221&amp;ssl=1 221w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.46.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/prettyvolume\" data-type=\"URL\" data-id=\"lnk.to\/prettyvolume\" target=\"_blank\">Pretty Volume<\/a><\/strong> &#8211; self-titled side project with Ky Anto, Recorded at Halla Music Toronto (2003); photos by Barrie Wentzel<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"222\" height=\"222\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.26.png?resize=222%2C222&#038;ssl=1\" alt=\"\" class=\"wp-image-161\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.26.png?w=222&amp;ssl=1 222w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.26.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/beat\" data-type=\"URL\" data-id=\"lnk.to\/beat\" target=\"_blank\">Beat <\/a><\/strong>EP CD; Fading Ways; Recorded at Phase One Studios, Toronto (2004)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"223\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.11.06.png?resize=223%2C223&#038;ssl=1\" alt=\"\" class=\"wp-image-156\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.11.06.png?w=223&amp;ssl=1 223w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.11.06.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/evolver\" data-type=\"URL\" data-id=\"lnk.to\/evolver\" target=\"_blank\">Evolver <\/a><\/strong>(10-year compilation CD); Changes One, re-issued by Shame Destroyer (2004)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"223\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.14.png?resize=223%2C223&#038;ssl=1\" alt=\"\" class=\"wp-image-163\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.14.png?w=223&amp;ssl=1 223w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.16.14.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; Dead Fashion Brigade <\/strong>EP; Fading Ways UK; Recorded at Southern Studios London (2005)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/tbots\" data-type=\"URL\" data-id=\"lnk.to\/tbots\" target=\"_blank\">The Betrayal of the Self <\/a><\/strong>CD; Fading Ways \/ Feedback Boogie; Recorded at Acetone Stockholm (2006)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"223\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.12.png?resize=223%2C223&#038;ssl=1\" alt=\"\" class=\"wp-image-157\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.12.png?w=223&amp;ssl=1 223w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.12.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"http:\/\/lnk.to\/thepoint\">The Point <\/a><\/strong>&#8211; 7&#8243; single; Fading Ways Finland \/ Psychout \/ Acetone Recordings; Recorded at Acetone Stockholm (2007) <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"222\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.55.png?resize=221%2C222&#038;ssl=1\" alt=\"\" class=\"wp-image-162\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.55.png?w=221&amp;ssl=1 221w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.14.55.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; <\/strong><a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/elitenylon\" data-type=\"URL\" data-id=\"http:\/\/lnk.to\/elitenylon\" target=\"_blank\"><strong>Elite Nylon<\/strong><\/a><strong> <\/strong>(Lt. Ed. CDR, self-released); Recorded at Acetone Sweden and Soundpool Germany as well as London home recordings (2008)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"221\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.35.png?resize=223%2C221&#038;ssl=1\" alt=\"\" class=\"wp-image-159\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.35.png?w=223&amp;ssl=1 223w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.09.35.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/lnk.to\/LusitanianGhosts\" data-type=\"URL\" data-id=\"lnk.to\/LusitanianGhosts\" target=\"_blank\">Lusitanian Ghosts<\/a> <\/strong>&#8211; self-titled debut album CD \/ LP; Lusitanian \/ European Phonographic; Recorded at Canoa Studios (2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Passion d&#8217;Flower &#8211; \u201cRadio\u201d single<\/strong>; Shame Destroyer; Recorded at Union Sound, Toronto (2019)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1200\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?fit=1024%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-77\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2020\/07\/0021040160_10.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Testimonials &#8211; \u201cHide Away\u201d single<\/strong>; with Steve Scarlet; self-released (Bandcamp); Recorded remotely between Lisbon and Toronto (2020)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Passion d&#8217;Flower &#8211; \u201cThirteen\u201d single<\/strong>; Shame Destroyer; Recorded at Union Sound, Toronto (2020)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"942\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/06\/Screenshot-2021-06-24-at-10.49.18.png?fit=768%2C833&#038;ssl=1\" alt=\"\" class=\"wp-image-314\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/06\/Screenshot-2021-06-24-at-10.49.18.png?w=868&amp;ssl=1 868w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/06\/Screenshot-2021-06-24-at-10.49.18.png?resize=276%2C300&amp;ssl=1 276w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/06\/Screenshot-2021-06-24-at-10.49.18.png?resize=768%2C833&amp;ssl=1 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lusitanian Ghosts &#8211; \u201cSoul Deranium\u201d single<\/strong>; European Phonographic; Recorded at Clouds Hill Hamburg (2021)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"972\" height=\"978\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/10\/Screenshot-2021-10-07-at-17.11.04.png?fit=768%2C773&#038;ssl=1\" alt=\"\" class=\"wp-image-317\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/10\/Screenshot-2021-10-07-at-17.11.04.png?w=972&amp;ssl=1 972w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/10\/Screenshot-2021-10-07-at-17.11.04.png?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/10\/Screenshot-2021-10-07-at-17.11.04.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/10\/Screenshot-2021-10-07-at-17.11.04.png?resize=768%2C773&amp;ssl=1 768w\" sizes=\"auto, (max-width: 972px) 100vw, 972px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lusitanian Ghosts &#8211; \u201cNever Less Than Lonely\u201d single<\/strong>; European Phonographic; Recorded at Clouds Hill Hamburg (2021)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Passion d&#8217;Flower &#8211; \u201cFifteen\u201d and \u201c47\u201d singles<\/strong>; Shame Destroyer; Recorded at Union Sound, Toronto (2021)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"223\" height=\"224\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.13.57.png?resize=223%2C224&#038;ssl=1\" alt=\"\" class=\"wp-image-160\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.13.57.png?w=223&amp;ssl=1 223w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2021\/01\/Captura-de-ecra%CC%83-2021-01-12-a%CC%80s-22.13.57.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lusitanian Ghosts &#8211; <em>Exotic Quixotic<\/em><\/strong> LP; European Phonographic; Recorded at Clouds Hill Hamburg (digital release 19 November 2021; deluxe digital edition and vinyl LP November 2022)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2022\/12\/MM-web-cover.png?resize=750%2C750&#038;ssl=1\" alt=\"\" class=\"wp-image-330\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2022\/12\/MM-web-cover.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2022\/12\/MM-web-cover.png?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2022\/12\/MM-web-cover.png?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; \u201c(I Got a Call From) Michael Maker\u201d single<\/strong>; Shame Destroyer; Recorded at Canoa Studios (2022)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lusitanian Ghosts &#8211; <em>Lusitanian Ghosts III<\/em><\/strong> LP; European Phonographic; Recorded at Clouds Hill Hamburg (2023)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/07\/ARMY-OF-DEVILS-SINGLE-web.jpeg?resize=500%2C500&#038;ssl=1\" alt=\"\" class=\"wp-image-336\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/07\/ARMY-OF-DEVILS-SINGLE-web.jpeg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/07\/ARMY-OF-DEVILS-SINGLE-web.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/07\/ARMY-OF-DEVILS-SINGLE-web.jpeg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Conscience Pilate &#8211; \u201cArmy of Devils\u201d, \u201cBloom\u201d, \u201cBlue Shadows\u201d and \u201cHope\u201d singles and the <em>Convincing<\/em> EP<\/strong>; Pond Inc. (2023)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/12\/LeytonSingermanWeb.jpeg?resize=500%2C500&#038;ssl=1\" alt=\"\" class=\"wp-image-339\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/12\/LeytonSingermanWeb.jpeg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/12\/LeytonSingermanWeb.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2023\/12\/LeytonSingermanWeb.jpeg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; \u201cSingerman\u201d single<\/strong>; Shame Destroyer; Recorded at Canoa Studios (2023)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Conscience Pilate &#8211; \u201cLittle Things\u201d and \u201cBreak Like Waves\u201d singles<\/strong>; Pond Inc. (2024)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Ordinary-Matter-Art-web.jpeg?fit=768%2C768&#038;ssl=1\" alt=\"\" class=\"wp-image-404\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Ordinary-Matter-Art-web.jpeg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Ordinary-Matter-Art-web.jpeg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Ordinary-Matter-Art-web.jpeg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Ordinary-Matter-Art-web.jpeg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Neil Leyton &#8211; \u201cOrdinary Matter\u201d single<\/strong>; Pond Inc.; Recorded at Canoa Studios (2025)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"653\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-03-at-20.07.04-3.png?fit=768%2C502&#038;ssl=1\" alt=\"\" class=\"wp-image-401\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-03-at-20.07.04-3.png?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-03-at-20.07.04-3.png?resize=300%2C196&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-03-at-20.07.04-3.png?resize=768%2C502&amp;ssl=1 768w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2025\/08\/Screenshot-2025-08-03-at-20.07.04-3.png?resize=421%2C275&amp;ssl=1 421w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lusitanian Ghosts &#8211; <em>Lusitanian Ghosts with the Lisbon Metropolitan Orchestra feat. Maestro Rui Ribeiro<\/em><\/strong> live album; European Phonographic; Recorded live at the Tivoli Theatre, Lisbon (2025)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2560\" src=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?fit=1024%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-421\" srcset=\"https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=1536%2C1536&amp;ssl=1 1536w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=2048%2C2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/neilleyton.com\/wp-content\/uploads\/2026\/10\/Joana_Alegre_OCO_cover_3000-scaled.jpg?resize=1320%2C1320&amp;ssl=1 1320w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Joana Alegre &#8211; \u201cOCO\u201d single<\/strong>; Neil Leyton on electric guitar; Lusitanian; Recorded at Est\u00fadios Canoa (2026)<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Neil Leyton&#8217;s recorded output started during his high school years, between 4-track demos on Fostex X-26 and Tascam Portastudios to the first studio recordings at Studio 92, engineered by Norm Barker. Leyton credits Barker for his early studio learnings, and also started producing other artists, such as Sharpkid (Canada) and Pete Marquis&#8217; Silky (Portugal), at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-64","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/pages\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/neilleyton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64"}],"version-history":[{"count":5,"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":453,"href":"https:\/\/neilleyton.com\/index.php?rest_route=\/wp\/v2\/pages\/64\/revisions\/453"}],"wp:attachment":[{"href":"https:\/\/neilleyton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}